| She Made Her Apartment the Titanic. Now She’ll Sink It. † | Curbed | 2025 |
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| Martyn Stewart, The Man Who Collects The Earth † | Esquire | 2025 |
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| At MASS MoCA, Jeffrey Gibson Stages a Club and a Church | i-D | 2024 |
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| Inside the HQ of New York’s Biggest Throne Retailer † | Architectural Digest | 2024 |
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| Saratoga 60 | Capsule | 2024 |
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| Chiharu Shiota: Meditations on Life, Death, Psyche, and Space | BOMB | 2023 |
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| “Once a Mermaid, Always a Mermaid” | The Cut | 2023 |
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| Counting Sheep in Rhinebeck, New York | Vogue | 2022 |
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| Maury! Maury! The Visual Legacy of Tabloid Talk Shows † | Dirt | 2022 |
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| Athena LaTocha’s Unrelenting Urge to Salvage | Frieze | 2022 |
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| Strange Arches: The Murky Origins of the High-Heel Chair † | Architectural Digest | 2022 |
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| On Florida’s Sanibel Island, Shells are an Eternal Muse † | Vogue | 2022 |
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| The Great Outdoors | Harper's Bazaar | 2021 |
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| Postcards From a Pasadena Pup Pageant | Vogue | 2021 |
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| On Tracey Moffatt’s ‘Up in The Sky’ | Artsy | 2020 |
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| The Enduring Lure of the Celebrity Autograph † | Man Repeller | 2020 |
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| An Evening at New York’s New Playboy Club † | The Paris Review | 2018 |
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| Dinner at the End of America | The Paris Review | 2018 |
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| Orson Welles, Collector of Noses | Museum | 2016 |
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| Rare Birds, Beasts, and the Calaboose | The Paris Review | 2016 |
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| The Hard-On On Trial | The Paris Review | 2016 |
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